It hurt him more than me
102 cm x 76 cm
Oil on canvas - 2026
102 cm x 76 cm
Oil on canvas - 2026
Human Chess
91.4 x 60.96
Oil on canvas - 2026
91.4 x 60.96
Oil on canvas - 2026
Do I need to wrestle
200 x 140 cm
Acrylic and ink on canvas - 2026
200 x 140 cm
Acrylic and ink on canvas - 2026
Wrestlers Study .001
30 x 25 cm
Oil on canvas - 2026
30 x 25 cm
Oil on canvas - 2026
Wrestlers .002
30 x 25 cm
Oil on canvas - 2026
30 x 25 cm
Oil on canvas - 2026
Wrestlers .003
30 x 25 cm
Oil on canvas - 2026
30 x 25 cm
Oil on canvas - 2026
Wrestlers .003
30 x 25 cm
Oil on canvas - 2026
30 x 25 cm
Oil on canvas - 2026
Wrestlers study 0.1
61 x 76.2 cm
Oil on canvas - 2026
61 x 76.2 cm
Oil on canvas - 2026
Wrestlers study 0.2
61 x 76.2 cm
Oil on canvas - 2026
61 x 76.2 cm
Oil on canvas - 2026
Wrestlers Series
My recent paintings use WWE wrestlers as their subject, focusing on abstract compositions of entangled bodies that magnify the tension between masculinity, sexuality, intimacy, aggression and vulnerability. I am drawn to the physical closeness of the wrestlers and the ambiguity between intimacy and aggression. The work shows intimate bodily interdependence which contradicts ideas of ‘masculine’ independence. I am interested in masculinity not as something inherent to male bodies or confined to a gender binary, but as a set of behaviours and performances that can be adopted by anyone. Blurred brush strokes highlight bodies and identities as fluid rather than fixed.
My recent paintings use WWE wrestlers as their subject, focusing on abstract compositions of entangled bodies that magnify the tension between masculinity, sexuality, intimacy, aggression and vulnerability. I am drawn to the physical closeness of the wrestlers and the ambiguity between intimacy and aggression. The work shows intimate bodily interdependence which contradicts ideas of ‘masculine’ independence. I am interested in masculinity not as something inherent to male bodies or confined to a gender binary, but as a set of behaviours and performances that can be adopted by anyone. Blurred brush strokes highlight bodies and identities as fluid rather than fixed.
Alongside the wrestlers, text-based works explore the spider as a female archetype and the act of web-making as a metaphor for interconnectedness and entanglement. The web suggests that individuals, social structures and ecosystems do not exist independently, but are held within complex networks of interdependence.
This series is a work in progress.